On December 1, Alfie and the Red Wings visit the Canadian Tire Centre for the first time since the deal was done. In the lead-up to the big event, Ottawa Magazine revisits our 11 essays — one essay per day for 11 days. (Want a copy? Back issues for sale .)
The artist’s time in Hollywood as a (very minor) celebrity did put him in touch with some of the great luminaries of the age. Benton was surprised to find himself one of the most popular artists in the country (Life Magazine having had a sizable hand in this), and the tide of public opinion quickly turned in his favor. This was also due to his mythic portrayals of the American West, concomitant with the cinematic masterpieces of director John Ford’s Westerns. The two instantly recognized a kinship in their approach to creating art – both had a deep interest in sweeping epics depicting the American frontier. Ford maintained that his films were about identity and citizenship disguised as adventure and romantic melodrama, reflecting his passion for history. The main characters in his films- gunslingers, farmers, soldiers and displaced pioneers- are often engaged in attempting to create a civilized community in unsettled frontiers despite their social differences. Having found a kindred spirit in Ford, Benton’s attention shifted away from depictions of the Hollywood money machine to the content and characters of the films it produced. In a series of six sublime lithographs produced for Ford’s 1940 film version of Grapes of Wrath, Benton created a series of psychologically penetrating portraits of its main characters. The work’s disarming simplicity was a huge marketing risk when compared to the bright colors of most promotional imagery used by theaters, however the risk paid off; audiences and studios responded favorably. These prints were quiet, irresistible gems within the show at Peabody Essex.
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The Samaritans turned to photographer Nadav Kander (who's shot portraits of the likes of President Obama for the New York Times and David Cameron for Time Magazine) to create a powerful poster campaign that will appear in train stations in the U.K. The posters, the first work for Samaritans from MullenLowe London, aim to reassure people who are struggling that the charity's volunteers will really listen to them. They feature portraits of people facing away from camera. Each execution contains hidden messages where people claiming to be fine reveal that they're not OK at all. Fo.
Time Magazine Essay - 87,000+ Free Term Papers and EssaysTHANK YOU THANK YOU THANK YOU LISA! I have been searching for months for this sort of guidance. I write travel based narratives, but so many magazines are looking for “round ups” and other helpful articles, it was feeling like good old story telling was being sent to the sidelines. I think I’m now obsessed too Alexis! Time to get pitching.
Good luck everyone.